Chartres Cathedral, also known as the Cathedral of Our Lady of Chartres, is a Catholic cathedral in Chartres, France, about 80 kilometres (50 miles) southwest of Paris. It is the seat of the bishop of Chartres. Mostly constructed between 1194 and 1220, it stands on the site of at least five cathedrals that have occupied the site since the Diocese of Chartres was formed as an episcopal see in the 4th century. It is one of the best-known and most influential examples of High Gothic and Classic Gothic architecture. Chartres Cathedral is known for its stained glass, and contains 167 stained-glass windows dating from the 12th century to the 20th century. This photograph shows the stained glass in the north transept of Chartres Cathedral. The rose window, which is 10.5 metres (34 feet) in diameter, was installed circa 1230 and contains imagery relating to the Virgin Mary and figures from the Old Testament. The presence of the coats of arms of King Louis IX and his mother Blanche of Castile are taken as a sign of royal patronage for this window. Below the rose are five lancet windows, each 7.5 metres (25 feet) tall, depicting Saint Anne and four Old Testament figures.Photograph credit: PtrQs
... that the Jethani Temple(ruins pictured) may have collapsed under its own weight?
... that the T24 Festival was organized after a former soldier boasted online that he could set up a 24-person military tent by himself?
... that the organ console at the Loew's Jersey Theatre was originally installed at another theater by mistake?
... that Margaret Reid is the first woman to have served as President of the Australian Senate?
... that The Hangover by Toulouse-Lautrec, which features the stylistic influence of Vincent van Gogh, was once displayed by Aristide Bruant in his nightclub?
... that there were "jubilant" cheers from the courtroom audience when three students were acquitted of the murder of Fernando Rios?
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It is so terribly sad that I have to explain that the above is a JOKE
If you can keep your head when all about you
Are losing theirs and blaming it on you,
If you can trust yourself when all men doubt you
But make allowance for their doubting too,
If you can wait and not be tired by waiting,
Or being lied about, don't deal in lies,
Or being hated, don't give way to hating,
And yet don't look too good, nor talk too wise:
If you can dream--and not make dreams your master,
If you can think--and not make thoughts your aim;
If you can meet with Triumph and Disaster
And treat those two impostors just the same;
If you can bear to hear the truth you've spoken
Twisted by knaves to make a trap for fools,
Or watch the things you gave your life to, broken,
And stoop and build 'em up with worn-out tools:
If you can make one heap of all your winnings
And risk it all on one turn of pitch-and-toss,
And lose, and start again at your beginnings
And never breath a word about your loss;
If you can force your heart and nerve and sinew
To serve your turn long after they are gone,
And so hold on when there is nothing in you
Except the Will which says to them: "Hold on!"
If you can talk with crowds and keep your virtue,
Or walk with kings--nor lose the common touch,
If neither foes nor loving friends can hurt you;
If all men count with you, but none too much,
If you can fill the unforgiving minute
With sixty seconds' worth of distance run,
Yours is the Earth and everything that's in it,
And--which is more--you'll be a Man, my son!